NOT KNOWN FACTS ABOUT METAFORA

Not known Facts About metafora

Not known Facts About metafora

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Con todas estas metáforas en versos o en prosa se consigue embellecer el lenguaje aún más al modificar el sentido habitual de estas palabras.

. But the power of a mixed metaphor—like all metaphors—is its capacity to delight and shock audience and to challenge them to move over and above notions of “accurate” or “incorrect” metaphors.

“Tu corazón, tambor de tu pecho”: Se expresa el término serious que es corazón y posteriormente se habla de un tambor, esto para establecer la similitud entre el sonido del primero y el segundo.

Razvila se je v prvi polovici 20. stoletja, za njenega začetnika pa je razglašen I. A. Richards, ki je v svoji razpravi Metaphor (1936) uvedel novo razumevanje metafore in prelomil z retoričnim pojmovanjem metafore, saj metafore ne pojmuje več kot jezikovni odklon ali okras, temveč kot ubeseditev dveh idej, ki delujeta istočasno. O metafori lahko po Richardsu govorimo tedaj, ko »imamo dve misli o različnih stvareh, ki delujeta hkrati in se naslanjata na eno besedo ali izraz, smisel pa je rezultat njunega medsebojnega učinkovanja« . Za člena metafore je predlagal izraza tenor in auto. Metafora je postavljena v predikacijo in obravnavana v kontekstu; tako je postala nekakšna mala zgodba za izražanje misli, čustev in domišljije.

Aquí se aprecia que cada elemento que introduce Cervantes para describir a Dulcinea, permite idealizar la belleza de la misma: ojos con soles, mejillas con rosas, labios con el colour del coral, perlas con dientes

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Od ene vrste v drugo: Zajeti dušo z bronom namesto izpuliti dušo, zajemanje in izpuljenje sta načina odvzemanja.

Aristotle writes in his do the job the Rhetoric that metaphors make Studying pleasurable: "To know easily is naturally pleasant to all folks, and terms signify a thing, so whichever words develop expertise in us tend to be the pleasantest."[24] When speaking about Aristotle's Rhetoric, Jan Garret stated "metaphor most brings about Studying; for when [Homer] calls previous age "stubble", he generates comprehension and know-how from the genus, due to the fact both equally aged age and stubble are [species of your genus of] things which have shed their bloom.

En la segunda, se sustituye el concepto “una gran cantidad” por “una montaña” también por su semejanza y, en la última, se define a la voz como una fuerza capaz de subir montes y tronar.

“Piernas de escoba”: Se establece la relación entre las piernas de la persona y la delgadez de un palo de escoba.

A blended metaphor is commonly two metaphors sloppily mashed jointly as in, "the ball is while in the courtroom of public opinion," which joins "the ball is in the court docket" to "the courtroom of public opinion." A blended metaphor may additionally be employed with fantastic usefulness, however, as in Hamlet's speech:

Поради оваа причина, метафората од заедничкиот тип генерално се смета за посилна од споредба.

Aristotelova določitev metafore temelji na besedni semantiki, na prepričanju, click here da ima vsaka stvar svoje ime, da sta beseda in pomen dve strani istega kovanca ali da je ime pripeto na pomen kot denimo nalepka na steklenico.

In each sentences, we've been comparing Jordan to your copyright. In the very first sentence, the comparison is overt: the copyright is stated directly. But in the next sentence, we indicate that Jordan will be the copyright by evaluating his behavior (fanning his feathers) to anything peacocks are known for undertaking.

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